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       Participant Observation is the Process of Learning by
Observing and Participating in Cultural Life
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Monday, Aug 26
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Tuesday, Aug 27
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Thursday, Sep 5
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Friday, Sep 6
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Calendar

< Monday, June 17, 2019 >


All Day Ongoing and Extended Events

Spotlight

San Diego County Fair
From Friday, May 31 to Thursday, July 4, 2019

Stage

* Note: newest and shorter run productions can be found in our regular calendar listings.

Exhibitions and Art

Lung Hsiang Chinese Brush Painting Exhibit & Sale
Until July 8, 2019

Between Two Worlds
Until July 28, 2019

Art of East Asia
Until December 31, 2019

Art Of The 20th Century
Ongoing until December 31, 2019

German Expressionism
Ongoing until December 31, 2019

Barrio Art Crawl
Ongoing, every 2nd Saturday of each month

Places

Free Admission to Japanese Friendship Garden
Ongoing, 3rd Tuesday of each month

Walking Tour of Asian Pacific Historic District
Ongoing, every 2nd Saturday of each month

Kids

Kids Meet Mandarin
Ongoing Fridays

Chinese Storytime
Ongoing Mondays

Spanish Storytime
Ongoing Mondays

Bilingual Storytime
Ongoing Fridays

Classes and Workshops

Capoeira Angola de Sao Bento Grande
Ongoing Saturdays

West African Dance Class
Ongoing Sunday

Mahjong Lessons
Ongoing Thursdays

Ki Energy Healing Clinic
Ongoing Wednesdays

Emei Qigong Practice
Ongoing Saturdays

Middle-Eastern Drum & Belly Dance Class
Ongoing until December 17

Kokedama Workshop
Ongoing every 1st and 3rd Tuesday

Irish Gaelic Conversation Circle
Ongoing Tuesdays

Tai Chi Workshop
Ongoing Saturdays

African Dance Class
Ongoing Sundays

Salsa Class
Ongoing Tuesdays
2:00 PM Film: Imitation of Life Ashamed of her heritage, Sarah Jane (Susan Kohner) â€" the light-skinned daughter of Annie (Juanita Moore), a live-in housemaid employed by a vainglorious actress (Lana Turner) â€" tries to pass for white. John Stahl’s magnanimous adaptation of Fannie Hurst’s best-selling sudser had proven successful enough in 1934 for Universal to commission a remake 25 years later. By the time Douglas Sirk was assigned the post, he had long revealed a master’s hand at using light, color, and composition as a running visual commentary, one frequently at odds with the subject matter at hand. Sirk follows the melodrama to the letter, but his camera gets the last word. This is a case of a film looking better today than when it was originally released. Why Universal failed to spring for Technicolor baffles the brain. For years, it was impossible to find a print worthy of cinematographer Russell “Sculpting With Light” Metty’s embossed hues. All it took was one pass through the projector and the EastmanColor stock on which this was originally printed had already faded to a washed shade of rare steak. The remastered DCP is a revelation. Not to be missed.

Admission/Cost: $13

Location:
Angelika Film Center & Café
11620 Carmel Mountain Road
San Diego, CA 92128
MAP

Dates and times:
Monday, June 17 - 2:00 PM & 7:00 PM
7:00 PM Juneteenth Celebration: Crumbs from the Table of Joy A staged reading of Lynn Nottage's play, Crumbs from the Table of Joy, takes you to Brooklyn in 1950. An African American man, Godfrey Crump, is grieving over his wife's death. He finds new meaning in religion. He moves his family, Ernestine, a 17-year-old, and Ermina, 15 years old, from Florida to Brooklyn. Their Aunt Lily espouses Communist sentiments and Godfrey's new wife is not only a white woman, but German.

Admission/Cost: FREE

Location:
WorldBeat Cultural Center
2100 Park Boulevard
San Diego, CA 92101
MAP

Monday, June 17 - 7:00 PM to 9:00 PM
7:00 PM Film: Imitation of Life Ashamed of her heritage, Sarah Jane (Susan Kohner) â€" the light-skinned daughter of Annie (Juanita Moore), a live-in housemaid employed by a vainglorious actress (Lana Turner) â€" tries to pass for white. John Stahl’s magnanimous adaptation of Fannie Hurst’s best-selling sudser had proven successful enough in 1934 for Universal to commission a remake 25 years later. By the time Douglas Sirk was assigned the post, he had long revealed a master’s hand at using light, color, and composition as a running visual commentary, one frequently at odds with the subject matter at hand. Sirk follows the melodrama to the letter, but his camera gets the last word. This is a case of a film looking better today than when it was originally released. Why Universal failed to spring for Technicolor baffles the brain. For years, it was impossible to find a print worthy of cinematographer Russell “Sculpting With Light” Metty’s embossed hues. All it took was one pass through the projector and the EastmanColor stock on which this was originally printed had already faded to a washed shade of rare steak. The remastered DCP is a revelation. Not to be missed.

Admission/Cost: $13

Location:
Angelika Film Center & Café
11620 Carmel Mountain Road
San Diego, CA 92128
MAP

Dates and times:
Monday, June 17 - 2:00 PM & 7:00 PM
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